Tuesday, June 1, 2010

Supa Ape: Ape Space




Free Downloads
Intro
On a whim
Lying Monster
Melting I's
flower Heaven
drastic thump vs the space time funk ft Oliver Ignatius, Isaac Cohen & Dead Pimpin
East Coast Nights in LA

Doug Rosenberg-Draft

download 'not yet (Draft)' and her B-side 'turn around (Draft)' HERE

Monday, May 3, 2010

Wednesday, April 21, 2010

Monday, April 12, 2010

Wednesday, April 7, 2010

Who the fuck is Boogie Mack

Who the fuck is Boogie Mack pt 2


Tuesday, April 6, 2010

Sunday, April 4, 2010

Oliver Ignatius

The first of many to come from Oliver Ignatius, a promising artist from brooklyn NYC and a Homie and This song hella SLAPS!!!
'stayinlean cause i could still be sharper'

Link to Download: http://www.mediafire.com/?d1jildhxtny

Becca Spanganthaul

Thursday, March 25, 2010

Defense 'Guns'

song written by Jaxon Veseley a.k.a. Defense. Download

Griffin Newman-Grifftopia

Griffin Newman will be performing his show 'Grifftopia' at the UCB April 1. here's a sample of the man's work.

Tuesday, March 23, 2010

Shoshone Johson-Art: the Flowers of Evil

Art: The Flowers of Evil

“If art stays away from evil, it quickly becomes boring.”

“Every artist is profoundly guilty of placing the consumer in an unpleasant situation which makes the art non-boring.”

“Making art is the opposite of working.  All the best works of art are efforts that went against real work.  Therefore artists are like children before their parents.  They are afraid of what their art might do, and they never stop until they have something real to be afraid of.” – Georges Bataille


As artists, we very often forget about the evil, I should say radical evil, of the situation.  On the one hand, when I say this, I’m repeating Bertolt Brecht’s old and still true idea that art will, in some way, address itself toward the political evils of the day.  This does not mean that Animal Collective will release a song about the healthcare crisis anytime soon, but that the Collective will, time and again, return to the evils of the sociohistorical landscape again and again, that the oppression felt in an everyday sense will necessarily provide a refrain for the truth that they provide, as when they sing “Guard my girl from muffler's black gas,” on Merriweather Post Pavilion.

But the more compelling, and less basic, argument to be made here is that evil is part of what the artist is doing.  Artists perpetrate, as a general operational rule of their practice, acts of evil on a regular basis against themselves, their communities, and their society.